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Bunny sex position

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Here the rope is tensioned against itself many times as it ladders its way up the limb, a technique which works extremely well with natural fibres such as hemp used in the Japanese tradition.

We should caution that anyone relying on this method with slippery artificial rope like nylon is inviting a slithering mess of snakes sliding down rather than an elegant ladder climbing up!

Here a rope is used directly behind the neck to the extended leg, which is something to be treated with thought and caution as discussed above. The asymmetric result, especially when the rope ladder is extended to a suspension point above, is much more commonly seen in the Japanese style than in the Western, which favours more symmetrical deportment of the subject.

Hence we do not give this particular configuration a title of its own; we would rather describe it by its components: Lying on side, arms in box.

One leg bent, in pork roll, the other extended upwards to ceiling, tied in a rope ladder, with rope from bottom of rope ladder on leg behind back to fold her over.

Nonetheless, its efficacy is undeniable. But while Dave was tying my left leg, I suddenly was reminded of the way joints of meat are tied up with string in supermarkets.

This classical Japanese position can be tied in several ways, two of which are illustrated here. The first example is completed by tying the arms harness up to the ceiling, leaving the legs free.

Although giving the subject the ability to move, the degree of helplessness so created was nonetheless substantial, with the ceiling rope preventing her moving more than a metre or so.

So restrictive, especially when my left arm was tied up to the suspension point. And I was enjoying seeing the marks of the previous rigs on my body — I started to feel like a proper rope bunny.

From the earlier photographs in the series you can see that this was initially tied as a rope ladder on each leg, bent individually to form a frog-tie, and on the arms forming a rope arm-binder.

More rope was then added to fold the subject into a balltie, from whence her arms were pulled outwards and upwards to attain the final strappado balltie position.

Which seemed perfectly reasonable. This tie shows one way in which a slavegirl can be bound into the reverse prayer position, here incorporating ropes which restrain her fingers.

The bondage is finished off by two rope wraps which keep her in a kneeling position, which are anchored by a single rope slipper on one foo.

This is again illustrative of the use of asymmetry in Japanese-inspired positions; were we to tie this in a Western style, we would choose to mirror that rope work on the other foot, even though it might be functionally superfluous.

In point of fact, the use of rope slippers is not generally encouraged for Restrained Elegance slavegirls, as the rope risks distorting the shape of the foot or even providing protection from justly-earned punishment directed at the soles of the feet!

But this reverse prayer was beautifully economical, with hardly any rope showing in front. And it also turned out to be completely inescapable, hooray!

This leg tie clearly depends upon the ability of the subject to attain the position, either full or half lotus, and hold it unassisted by the rope for a reasonable length of time in order that the tie can be meticulously and neatly applied.

So long as the subject can attain and maintain the position in reasonable comfort without the presence of rope, she ought to be able to do so whilst bound.

The arms are here bound together along the forearms, using the rope ladder style, to form what we refer to as a rope ladder gauntlet or more simply a rope gauntlet.

The appellation applied to this position is two-fold. The silhouette so formed irresistibly called to mind the establishments of one Mr.

Hefner, of the colonies, and the famous symbol and uniform of the female members of staff there present. Hence, a bunny-ears, futomomo delta tie.

My arms pushed my head forward and it felt like a proper torture position after about 2 minutes! This position and its variants was introduced to the Restrained Elegance repertoire by Temptress Kate, underneath whose demure exterior dwells an imagination of diabolical cruelty.

The name comes from an arm lock used to restrain suspects by law enforcement agents. In the classical version of the hammerlock tie, the hands are usually balled into fists.

In this version tied in the Japanese style by the estimable WykD Dave, the fingers are incorporated into the tie, being one of the principle foundations which make the addition of ropes crossing the shoulders to keep the hands in raised position unnecessary to this variant.

The addition of a single rope slipper converts the position into a simplified balltie. Once again, the position can be intensified should such a step prove necessary, or desirable on a whim by the addition of nipple clamps, against which the subject will be entirely, and most satisfactorily, powerless.

But having worked mainly within the Western bondage tradition, having my hands incorporated into the bondage is a new sensation for me.

And yep, I love it! An extra feeling of helplessness — brilliant! Once again, we permit our test subject to declaim in her addendum the reasons for the nomenclature attached to this position.

Any fan of fantastical satin-clad blonde damsels in distress, chained princesses and general excitement will find it to be entirely worth their while to acquire a recording of this most admirable of cinematic endeavours.

To return to more scientific matters, this position is one in which the subject can usually remain for a considerable period of time, possibly even performing light clerical duties or household chores.

Whilst this is likely to produce a gratifying degree of arousal, and spectacle for any assembled viewers, is must be admitted that its effect on the performance of said clerical duties or household chores may be somewhat inhibitory, or even entirely distracting.

As always, then, one must fit the punishment to the crime, or the rope to the slavegirl. We note in passing that the classical Western hogtie, as described above, is clearly a misnomer since it is in fact impossible to tie a hog in this position- at least without severe dislocation.

The Japanese form shown here is a useful variation on the basic hogtie theme, exchanging a rope from ankles to the one around the upper body following the basic layout of the box tie for the rope between wrists and ankles traditionally used to achieve a similar posture in the Western hogtie.

It lends itself to tying cross-legged, which some subjects find easier than the legs-together variants. It is also significantly less punishing than the elbows-together variant tied with straight arms, which can be very severe indeed.

Much prettier, I thought. The version of this tie shown here used a free-standing rattan pole. Loved it! Some rope bondage makes me feel like a melodrama victim, some bondage makes me feel sort of cuddled and comforted.

This was definitely in the second of those categories. By this point in the shoot I was covered in rope marks from the previous ties, and it was super to feel like a lovely carefree koala for a few minutes.

Ballties range in stringency and degree of immobilisation. Note again the acceptance of asymmetry in the Japanese style, with one end of the rope secured around the toes and the other passing over one shoulder.

In a Western tie to produce the same position, one would probably have wrapped around the ankles to produce a terminal cinched band to anchor one end and brought a second rope across the other shoulder to balance the design.

This would be functionally unnecessary, but a more usual aesthetic for the Western style. When Hywel had finished photographing my upright, Dave had to lower me onto my side because there was no way I could do it for myself.

This position completes the trilogy of similar wrists-bound-to-legs in front poses, with the wrists bound to the ankles. Legs up, wrists to knees shows them tied to the knees and the legs-up balltie shown above also includes wrists to ankles, but with the rope running across the found limbs bound rather than ankles together, wrists together and a joining rope, as here.

Especially when the legs are elevated, this can forma challenging tie, very inviting for bastinado on the subject. As with all raised positions, one must be wary of a lack of circulation in the raised extremities.

He celebrated this fact by tickling them, sadly for me. It is great utility in convincing a recalcitrant slavegirl to correctly honour her owner, with her mouth being placed at a very convenient height for the purpose of paying that homage.

The stringency and degree of distress produced can be considerable, depending on the elevation of the strappado. The variant shown here binds the legs together and keeps them bent; an obvious variation to allow the subject slightly greater range of movement would be to tie the legs in frog-tie.

As with all strappados, its feasibility depends on the shape and flexibility of the subject; those with narrow shoulder and long arms will find it relatively easy, whereas those with broader or more muscular shoulders and short arms may be unable to assume the position at all.

As always, one must assess the suitability and sustainability of the tie for your particular valued possession before applying it!

I love the economical rope-work, but most of all I love how strappados make me feel; so vulnerable, and with my shoulders under so much pressure.

Here it is tied with rope. The construction uses the box tie as a foundation, but with one arm in front and the other behind.

The box tie principle that the hands cannot be moved substantially out of position because of the ropes around the upper arms is used, but it backed up by the vertical ropes over the shoulders and crotch-rope, which are woven into the box tie to secure the whole edifice.

Clearly, further research is needed in this area and we will be approaching the usual learned societies for an extension of these studies in due course.

As our test subject intimates in her marginal comments below, the notion for this pose originated from her. We must remark that the choice of a position which both spreads the legs wide, and places the hands in between those legs in a position whereby considerable pleasurable friction could be auto-generated by the subject possibly says more about the predilections of this particular slavegirl than she might, on reflection, wish to have revealed.

This semi-suspension uses another variant of the one arm in front- one arm behind pose. The basic concept of a single raised leg can be done in a very simple form, as here, or in a more elaborate and supportive way for longer durations, as in Yoko Tzury see below.

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As with most women-on-top positions you control the speed and pressure so achieving orgasm should be relatively easy. You will need good hip flexibility to pull this one off, and it can become a bit tough on the quadriceps if you maintain this position too long.

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Bunny Sex Position Video

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Bunny Sex Position - Abkürzungen und Begriffe

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